The film’s central conflict lies in the definition of "Georgian-ness." Traditionally, Georgian dance is a monument of strength and masculine rigidity. Merab’s struggle isn't just about his sexuality; it’s about his artistry. He is constantly scolded for being too "soft" or "playful," yet it is this very fluidity that allows him to find his own voice.
The story follows Merab, a dedicated performer in the National Georgian Ensemble who has trained for years under the watchful, hyper-masculine gaze of his instructors. His world is upended by the arrival of Irakli, a fellow dancer with a rebellious streak who becomes both his greatest rival and his deepest desire. And Then We Danced
Watch the official trailer to see the intense rivalry and hidden passion that drives the film's narrative: AND THEN WE DANCED - Official U.S. Trailer Music Box Films YouTube• Dec 20, 2019 Tradition vs. Liberation The film’s central conflict lies in the definition
In the heart of Tbilisi, where tradition is as rigid as the postures in Georgian national dance, Levan Akin’s (2019) unfolds as a vibrant, defiant love letter to Georgian culture . While it may look like a familiar coming-of-age story on the surface, this film is a revolutionary act of reclaiming identity from the clutches of nationalism. A Tale of Two Dancers The story follows Merab, a dedicated performer in
is a luminous tour de force that reminds us that culture is not a museum piece—it is a living, breathing thing that must evolve with its people. The film's final audition scene is not just a performance; it is a guttural scream of existence.
Whether you're a fan of dance, queer cinema, or simply powerful storytelling, this is an unmissable experience that proves love and tradition aren't incompatible—they just need room to breathe.