La Misa como nunca te la habían contado. Un deslumbrante recorrido a través del sentido bíblico del sacrificio -desde la Creación hasta nosotros- acompañados por anfitriones de lujo: Eduardo Verástegui, el autor súper ventas Scott Hahn, el bicampeón de Fórmula 1 Emerson Fittipaldi, el Barrabás de La Pasión de Cristo Pietro Sarubbi, Raniero Cantalamessa... y por jóvenes 'besados' por Dios. Con increíbles imágenes de la naturaleza de Brasil e Islandia; rodado en la Playa de las Catedrales (Lugo) y en Matera (Italia).
| Título original: | EL BESO DE DIOS |
| Año: | 2022 |
| Fecha estreno: | 22-04-2022 |
| País: | España |
| Dirección: | P. Ditano |
| Guion: | P. Ditano |
| Productores: | Arturo Sancho y P. Ditano |
| Música: | Almighty y Andrea Bocelli |
| Dir. producción: | Alfonsina Isidor |
| Montaje: | P. Ditano |
| Fotografía: | César Pérez, Víctor Entrecanales y Dan Johnson |
| Mezcla sonido: | David Machado |
| Género: | Documental |
| Duración: | 76 min. |
| Distribuidora: | European Dreams Factory |
| EDUARDO VERÁSTEGUi | narrador (voz) |
| EMERSON FiTTiPALDi | entrevistado |
| SCOTT HAHN | narrador y entrevistado |
| PiETRO SARUBBi | actor, narrador y entrevistado |
| CARDENAL CANTALAMESSA | entrevistado |
| BRiEGE McKENNA | entrevistada |
| MARY HEALY | entrevistada |
| RALPH MARTiN | entrevistado |
| JOSÉ PEDRO MANGLANO | entrevistado |
| TONY GRATACÓS | entrevistado |
| BEA MORiILLO | entrevistada |
| FER RUBiO | entrevistado |
: Mortimer’s brother who believes he is Theodore Roosevelt and is busy "digging the Panama Canal" (burying the aunts' victims) in the cellar.
According to Rotten Tomatoes , the film is a "sparkling" example of dark comedy, maintaining a high fresh score. It is a perennial Halloween favorite due to its spooky setting, graveyard proximity, and "insouciant attitude" toward death.
: Some scholars view the Brewster home—a charming facade concealing a cellar full of bodies—as a metaphor for the contradictions within the American dream. Critical Legacy
Released in 1944 and directed by , Arsenic and Old Lace is a definitive dark comedy and screwball classic. Though filmed in late 1941, its release was delayed for three years due to a contract with the original Broadway production. The film is celebrated for its macabre humor, frantic pacing, and a career-high (if eccentric) performance by Cary Grant. Plot Overview
Mortimer soon learns that his aunts have been "charitably" poisoning lonely old men with elderberry wine spiked with arsenic, strychnine, and cyanide. Matters escalate with the arrival of:
as Elaine Harper: Mortimer’s increasingly frustrated new bride. Key Themes and Production
: The film is a rare Capra project that avoids his usual "social consciousness" (as seen in Mr. Smith Goes to Washington ) in favor of "good old-fashioned theater".
: Mortimer’s brother who believes he is Theodore Roosevelt and is busy "digging the Panama Canal" (burying the aunts' victims) in the cellar.
According to Rotten Tomatoes , the film is a "sparkling" example of dark comedy, maintaining a high fresh score. It is a perennial Halloween favorite due to its spooky setting, graveyard proximity, and "insouciant attitude" toward death.
: Some scholars view the Brewster home—a charming facade concealing a cellar full of bodies—as a metaphor for the contradictions within the American dream. Critical Legacy
Released in 1944 and directed by , Arsenic and Old Lace is a definitive dark comedy and screwball classic. Though filmed in late 1941, its release was delayed for three years due to a contract with the original Broadway production. The film is celebrated for its macabre humor, frantic pacing, and a career-high (if eccentric) performance by Cary Grant. Plot Overview
Mortimer soon learns that his aunts have been "charitably" poisoning lonely old men with elderberry wine spiked with arsenic, strychnine, and cyanide. Matters escalate with the arrival of:
as Elaine Harper: Mortimer’s increasingly frustrated new bride. Key Themes and Production
: The film is a rare Capra project that avoids his usual "social consciousness" (as seen in Mr. Smith Goes to Washington ) in favor of "good old-fashioned theater".