Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.
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But the high was short-lived. Midway through a "Take the L" emote, the screen froze. The vibrant colors of the island snapped to a dull black. A single text box appeared in the center of his monitor:
The neon blue glow of the pulsed against the edges of the screen as "Kael" adjusted his headset. On the surface, he was just another player dropping into Tilted Towers , but his screen told a different story.
Kael stared at his reflection in the dark glass. The "god" was gone, leaving behind only a hardware ID that would never be allowed back onto the Battle Bus.
Boxes of bright green lines cut through the terrain, highlighting players through solid brick walls. He could see their health, their loadouts, and the exact distance—342 meters—between him and an unsuspecting squad. "Check this out," he muttered to a chat that wasn't there.
Composers are grouped in 6 pages: A-B;
C-F;
G-L;
M-O;
P-R; S-ZÂ .
J.-S.
Bach , A.
Barrios Mangore , N. Coste
, M. Giuliani , F.
Sor and F.
Tarrega are on their own page
Click here
to listen to 20 great MIDI from the site
Composers in alphabetical order
But the high was short-lived. Midway through a "Take the L" emote, the screen froze. The vibrant colors of the island snapped to a dull black. A single text box appeared in the center of his monitor:
The neon blue glow of the pulsed against the edges of the screen as "Kael" adjusted his headset. On the surface, he was just another player dropping into Tilted Towers , but his screen told a different story.
Kael stared at his reflection in the dark glass. The "god" was gone, leaving behind only a hardware ID that would never be allowed back onto the Battle Bus.
Boxes of bright green lines cut through the terrain, highlighting players through solid brick walls. He could see their health, their loadouts, and the exact distance—342 meters—between him and an unsuspecting squad. "Check this out," he muttered to a chat that wasn't there.
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Note to MIDI sequence contributors
Your submissions are welcomed.Â
Please send them by e-mail (end of text). Pieces
should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne
Op.4 No.2.). The submissions
should bear information on the transcriber or arranger when available. The submitter's name
will appear beside the accepted submission.Â
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This site exists primarily to showcase pieces written for the classical
guitar. Established and recognized transcriptions and arrangements (e.g.,
Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given
high priority. Â
New compositions for the classical guitar are also welcomed. New
compositions that meet quality guidelines will be added to the site. For
new contributors, it would be appreciated if you would also submit several
pieces by known composers in addition to your own compositions. This will
help to expand the repertoire of established works for the classical guitar in
addition to expanding the repertoire of new music.Â
Last update: March 8 2026
Copyright François Faucher 1998-2025
G.F.Handel's Sonata 2. Allegro
3.Adagio HWV368