Critics often point to it as the end of Oliver Stone’s most incendiary and experimental era before he pivoted more toward documentaries and traditional narratives.
The film is known for its baroque and extreme cinematography by Robert Richardson, featuring hyper-saturated colors and frantic editing that heighten the sense of unease. Reception and Legacy Giro al infierno
While it wasn't a massive hit at the time, it has since become a cult favorite for its unapologetic cynicism and powerhouse cast. Critics often point to it as the end