Incantation (2022) (chinese) May 2026

: An essay by Asha Bardon, MA on Substack provides a deep dive into the theology of "yūrei" and "onryō" and how religious studies inform the film's narrative.

: The paper examines why the film received intense negative backlash in mainland China despite its commercial success in Taiwan.

Other formal writings treat the film as a case study in marketing and folklore horror: Incantation (2022) (Chinese)

The most notable formal paper discussing the film is published in the Journal of Chinese Film Studies .

: An article from Francis Academic Press analyzes Incantation as a "phenomenal horror film" and a prime example of successful pseudo-documentary marketing. : An essay by Asha Bardon, MA on

: It analyzes the "fourth wall" breaking and mockumentary style, which made many viewers feel "jinxed" or "offended" by the interactive curse elements.

: The researcher investigated self-initiated comments on platforms like Weibo , Douban , and Zhihu to understand the mindset regarding supernatural discourse in cyberspace. : An article from Francis Academic Press analyzes

: You can find more details or request access to the full text on ResearchGate . Contextual Technical Articles