: The top line (played by the 'a' or ring finger) is the most critical element. It should be phrased legato—smooth and connected—and played noticeably louder than the inner accompaniment notes.
: The piece uses a consistent p-a-m-i pattern (thumb, ring, middle, index) in 3/4 time. : The top line (played by the 'a'
To capture the emotive quality of Marconi’s rendition, focus on balancing the intricate right-hand arpeggios with a prominent melody. : The top line (played by the 'a'
: Simultaneously plays the melody on the high E string. : The top line (played by the 'a'
: Pluck the B and G strings respectively to fill out the arpeggio.
: Plays the bass note on the first beat of every measure.
