The video is an "embodied disruption" that challenges the Western-centric narrative of art history. Key artistic references include:
: Beyond the art, the song contains sharp commentary on contemporary issues, such as JAY-Z's lyrics about turning down the Super Bowl halftime show and criticism of the Recording Academy. THE CARTERS - APESHIT
The track features production from and includes ad-libs from Quavo of Migos. The video is an "embodied disruption" that challenges
: Beyoncé and her dancers perform in front of Jacques-Louis David's massive painting, using the synchrony of Black bodies to "upstage" symbols of white monarchy. THE CARTERS - APESHIT
: The inclusion of Marie-Guillemine Benoist’s 1800 portrait is particularly significant because it centers a Black woman as the subject rather than in a state of servitude.