The Furies By John Connolly (2026)

In "The Sisters Strange," Parker is drawn into the orbit of the titular sisters and a low-life criminal who has stumbled upon something much older and hungrier than himself. The prose is vintage Connolly: atmospheric, jagged, and deeply empathetic toward the victims of life’s cruelty. He masterfully blends the gritty procedural elements of a private eye novel with a creeping, folk-horror dread that makes the hair on your arms stand up.

Whether you are a longtime fan of the series or a newcomer looking for a gateway into Parker’s haunted world, The Furies is a masterclass in tension. It is a reminder that while the law may be flawed, the old gods of vengeance never forget a face. This is essential reading for anyone who likes their crime fiction with a heavy dose of the uncanny. The Furies by John Connolly

John Connolly’s The Furies is a brilliant, unsettling double-feature that reminds readers why Charlie Parker remains the gold standard of supernatural noir. Rather than a single sprawling epic, Connolly delivers two tightly coiled novellas—"The Sisters Strange" and "The Furies"—that explore the terrifying intersection of human malice and ancient retribution. In "The Sisters Strange," Parker is drawn into

The second tale, "The Furies," leans harder into the themes of private justice. Set against the backdrop of the early pandemic, it finds Parker protecting two women from those who would exploit them. It is a story about the masks we wear—both literal and metaphorical—and the inevitable arrival of consequences. Here, the "Furies" are not just mythological concepts, but the living embodiments of a debt that must be paid in blood. Whether you are a longtime fan of the

What makes this collection "solid" is Connolly’s refusal to lean on clichés. Charlie Parker is older now, more weary, and his relationship with the dark forces surrounding him has evolved into a grim understanding. His companions, Louis and Angel, provide their usual lethal charisma, but the real star is the atmosphere. Connolly writes about evil not as an abstract concept, but as a physical presence that chills the room.