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The Taking Of Pelham One Two Three(1974) May 2026

David Shire’s dissonant, jazz-heavy score is frequently cited as one of the best thriller soundtracks of the era.

Produced for approximately $3.8 million, it earned roughly $18.7 million. Narrative Summary The Taking of Pelham One Two Three(1974)

The film utilizes "parallel editing" to build tension, cutting between the underground hostage drama, the police command center, and the frantic political maneuvering of the Mayor's office. The conflict is primarily a battle of wits between the professional, chilling Mr. Blue and the sardonic, pragmatic Lt. Garber. Themes and Critical Reception The conflict is primarily a battle of wits

The 1974 film is widely regarded as a quintessential 1970s crime thriller, noted for its gritty realism, dry humor, and iconic portrayal of a decaying New York City. Directed by Joseph Sargent and adapted from John Godey's 1973 novel, the movie follows four hijackers who seize a subway car and hold its passengers for a $1 million ransom. Core Production Details Director: Joseph Sargent Screenplay: Peter Stone, based on the novel by John Godey Key Cast: Walter Matthau as Lt. Zachary Garber (Transit Police) Robert Shaw as Mr. Blue (Hijacker leader) Martin Balsam as Mr. Green Héctor Elizondo as Mr. Grey Themes and Critical Reception The 1974 film is

The title refers to the train's radio call sign: "Pelham" for its station of origin and "1-2-3" for its 1:23 PM departure time. The hijackers—coded as Mr. Blue, Mr. Green, Mr. Grey, and Mr. Brown—demand $1 million within one hour, threatening to kill one hostage for every minute the money is late.