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: Derived from the romance itself, such as fear of vulnerability or past trauma.

: Whether it’s an "enemies-to-lovers" spark or an instant "meet-cute," there must be an underlying "spark" to pull the characters together. www,madsex,com

A successful romantic storyline is built on characters who feel like whole individuals before they ever interact. The Denise Johnson author blog identifies several core pillars for romance writing: : Derived from the romance itself, such as

: Lay "clues" and breadcrumbs of attraction rather than stating them explicitly to allow readers to reach their own conclusions. : Derived from the romance itself